Interview Essay about Dance Essay Example for Free

Interview Essay about Dance Essay Joseph is 56 years old, and is the second to youngest of seven children, six of them being girls. Having only sisters, and six of them at that, Joseph found himself surrounded by more dancing than he may have wished for as a young boy. Growing up, the main musical Joseph remembers seeing in theaters was The Sound of Music, starring Julie Andrews that came out in 1965. Paying only a couple of dollars for a ticket, he remembers watching Andrews dance around in the mountains singing the title song, â€Å"The Sound of Music. † This song should ring a bell for it is ranked tenth in the American’s Film Institute’s list of 100 Greatest Songs in Movie History. Having many sisters much older than himself, meant that Joseph’s background in dance was a little before his time. While his generation was more Rock N’ Roll and informal dancing, he was more familiarized with the Jitterbug before he knew how to properly head-bang. One of his favorite memories revolving around dance is when his sisters all got together and taught each other the Jitterbug. The Strand, and other such dances. Innocently watching from the sidelines, his sisters insisted on him joining in. â€Å"My sisters practically raised me since my parents were older and working hard to make a living, so I believe dancing was a way for my sisters to just relax and let go from reality, and they always wanted me to experience that with them.† Growing up, dancing was never a huge aspect of Joseph’s life. He never had proper training, and he never really cared to. In his world, the only time one needed to showcase adequate dance skills was at school dances and family affairs such as weddings. Though, in high school, Joseph was always more focused on perfecting his footwork at the pitcher’s mound than his footwork on the dance floor. He grew up in a smaller more conservative town, where gender roles still hung high in influencing the social norms of their community. Joseph, however, was not completely brain-washed by these ideals, for he grew up as a child in the 60s, where he learned to have love and peace for all, despite what his parents and elders may have believed at the time. In fact, he was part of the stage crew for his high school production one year, which did give him an inside look at the world of the arts. Being from a large Irish-Catholic family, his relatives were always dancing when they all got together. As one of the younger kids and having a somewhat shy demeanor, Joseph always watched how much fun they were having and admired how free and joyous they appeared. Of course, his aunts and uncles had the help of alcohol to make them loose, but it was also the fact that everyone knew the same dances. It was the closes thing to a real-life choreographed scene that one could witness. â€Å"I could not tell what exact dances they were doing, but I just remember there were a lot. Although they are were very similar and seemed to be more like swing dancing than anything else. Over the years, I have learned some of them, but not all. It is a shame that my generation seems to be one of the last to value and perform and real dance style, and not just grinding and twerking like Miley Cyrus.† For Joseph, his dance style did not catch up to the times until he was out of the house and the disco craze began. In 1977, the movie Saturday Night Fever came out, starring John Travolta. This movie was a huge reason why disco became as big as it did in 1978-1980. Though disco had already been an underground phenomenon since 1970. The movie just made it more openly popular amongst white middle-class heterosexuals. â€Å"Now, for me personally, I was never into the music or went to disco clubs and danced like John Travolta. Though, it was hard not to know the main moves, and it was the first time in my life that I really noticed dance being so influential in society.† Not only did disco bring about new fashion and style trends, but also socially it accomplished amazing feats. For the first time, minorities such as Gays, Latinos, and African-Americans were able to be a part of the cultural movement. In fact, in many ways, they were part of it since the very beginning. The first New York City disco clubs were very gay-friendly, and they often became a safe place for gays to relax and enjoy themselves for who they are, free from worries. These clubs included David Manusco’s The Loft, The Gallery, and The Paradise Garage. The Latinos loved the new disco partner dancing, because in their culture two is better than one when it comes to dance. As for African-Americans, the single Soul Makossa by Manu Dibango starting playing in the city clubs in 1973 and that started the next generation of Motown soul. The blending of these three subcultures really allowed for disco to grow and expand, and take on different lives in different light, depending on w ho you were and where you went. As for Joseph and other white baby boomers, their generation was yearning for their own identity and a sense of freedom. Most baby boomers only missed the sixties and its long hair, Woodstock, peace-loving ways by merely a decade. Thus, envious of not being able to partake in such a revolution in society, the youth of the 70s needed their own way of fighting the man – whether that be large scale or simply rebelling against their elders. Disco became the perfect way to unite both the baby boomers and the hippies, due to the air of sophistication that defined disco. Disco was so different from the flower-child era, which was exactly was the baby boomers were looking for; their own identity. Everyone enjoyed this new age because dressing up and going to fancy clubs meant an escape from reality and the ability to go from being a nobody by day, to someone of importance by night. This idea is essentially the plot of Saturday Night Fever, where Travolta has a blue-collar day job, but also happens to be a disco king. Middle-class America was simply enchanted by this movement. It allowed for a sense of equality between both social classes and races, and an overall social movement. Disco became so big that it quickly spread to Europe and parts of Asia. At the time, Disco was futuristic and fun. Clubs were lit up colorfully, and were home to the latest and greatest technology available at the time. Even if you were not on dancing, simply being at these places was an experience on its own. The loud music, and strong dance beat can easily be compared to today’s raves and clubs. Growing up in the 2000s, it appears that like disco, dancing is less pertained to a certain culture, but rather internationally. With the media sources and technology today, nothing is within the boundaries of a nation. Cultures around the world look especially to America’s youth to define their own youth’s identity. In charge of the social movements are celebrities and musicians. Dances come and go such as the dougie, jerking, and now twerking. On a larger scale however, there is a huge international phenomenon taking place within the last couple of years especially, and that is with rave music festivals. My older brother has attended Ultra Music Festival in Miami Florida three times now, and recently went the campout-style Firefly Festival. These festivals can be compared to Woodstock in that they are outdoors in fields and the atmosphere there is a crowd of teenagers and young adults together for the love of music and a good time. Though, the music itself is much more related to that of the disco era, for it is house/techno music made for the sole purpose of making people dance and to make individuals have an outer body experience – mostly with the aid of drugs and alcohol. There is a reason why people spend hundreds of dollars to attend these festivals, though it is opposite of why Joseph and his generation spent so much money going to disco clubs. In today’s world, the younger generation finds they are growing up faster and faster, constantly surrounded by sophistication and the burdens of adulthood. A music festival provides a more primitive, relaxing, and raw experience. Instead of being part of society, festivals are meant to be a break from just that. They provide today’s youth with the ability to act childish and be outdoors with other people, instead of cooped up indoors with their technology. Personally, I have never attended one of these music festivals, and yet I still feel like I am part of that culture in a sense. Although, I did attend an indoor Tiesto Concert and the Liacourus Center and experienced on a smaller scale what such a performance is like live. Like Joseph who never really went to disco clubs, he still felt immersed in the era. For me, I believe it is due to how involved my generation is with social medias. There is Twitter, Facebook, Tumblr, and so much more that allows anyone anywhere to listen to the music and dress the fashions of one who attends these festivals. Often times, what young women of my generation wear out to college party is of the same style that you would see at these festivals, and the same techno house music is blasting through the walls. It is very possible to feel like a part of something even if you are not, simply due to its overwhelming influence on your world. Just like how Joseph may have dressed the part and new the music that would be played at discos such as â€Å"Stayin’ Alive† by the Bee Gees or â€Å"Dancing Queen† by ABBA. The closest experience I have ever had with knowing multiple dances is from attending Bar and Bat Mitzvahs and Sweet Sixteens. At these events we would do the Cotton Eye Joe, the Macarana, the Electric Slide, and more. It was one of the few times that everyone was on the dance floor, not matter the person’s age. There was definitely something special and unique about everyone knowing a certain dance and performing it together. It brought the room together and they were all dances that anyone of any age or dance level could accomplish easily. Often times, I saw these dances as ice breakers, because once those were over the only other dancing left to do for my generation was grinding. To call grinding a dance style is difficult, but none-the-less it is the dancing my generation is best at and most familiar with. No matter the time period or the style, dancing will always be a huge part of our culture. Dance being directly linked to music allows for genres to come and go with time. The first movies were a way to document dance, and even create new ones, such as â€Å"The Continental† in the film The Gay Divorcee. Then the musicals came and the song and dance numbers took on their own new life and told stories through the arts. And now Youtube and other social media outlets are broadcasting music videos and dancing of all types and genres. With each generation the styles change, sometimes more drastically than others, but as time goes on dance seems to become bigger and bigger with technology and a new sense of a worldwide culture. Joseph Donohue may be my father who grew in a suburb in New Jersey like myself, but our dance histories are completely different, and yet somewhat alike. I took classes, while he was taught through observation and his sisters. His generation’s dance legacy was disco, while mine is grinding and twerking. However, we both seemed to take to the sidelines when it came to partaking in these cultural evolutions. Both the 80s disco music and the house techno music of rave music festival that feature artists such as Avicii and Tiesto are meant for dancing and focus on a powerful beat to make people want to move. Works Cited â€Å"Disco Lifestyle.† Standford University. Richard Powers, 2010. Web. 6 Oct. 2013. . Disco Music. Bernard Lopez, 18 Dec. 2012. Web. 6 Oct. 2013. . †¨Early, Gerald. â€Å"Jazz and the African American Literary Tradition.† Freedom’s Story, TeacherServe ©. National Humanities Center. 6. Oct. 2013. Disco Now Disco Then. Greg Wilson. Greg Wilson, 1 May 2013. Web. 6 Oct. 2013. . Garofalo, Reebee. Disco. Britannica Academic Encyclopedia. N.p.: n.p., n.d. 1-2. Britannica Concise Encyclopedia. Web. 6 Oct. 2013. . View as multi-pages

The Christâ€like Prospero of Shakespeare’s The Tempest Essay -- Tempest

The Christ–like Prospero of Shakespeare’s The Tempest It is not only the goodness of man which, according to traditional Christian concepts ,is not germane to himself. His very being, and his ultimate destiny stems alike from a principle that is infinitely beyond him (Morris 143). What was Prospero attempting to accomplish through the creation of the storm? Why would he go to that length of natural disaster, if the events would only end in an unharmed manner? Prospero. But are they, Ariel, safe? Ariel. Not a hair perished. On their sustaining garments not a blemish but fresher than before; (1.2.218-221). It was Prospero’s innate goodness that created a merciful storm, temporarily displacing his brother, the Duke, and the ship’s crew. Prospero use of magic allowed him to realize that his power surpassed the Duke’s. What might create empathy in the readers and viewers of this play is that Prospero had double the power of Antonio, the Duke and it showed through his merciful treatment of the storm’s creation. Prospero used intellect and did not operate on emotions solely, which could make the interpretation of the storm more philosophical, than vengeful. Because Prospero was a scholar, his plan became well thought out and the consequences were considered before hand, instead of acting on impulse, worrying about the outcome of those actions when it's too late. The power of nature was apparent to Prospero. His treatment of that power showed that he just wanted to return the rightful position of Duke to himself. "A man’s will, in order to be good, must be conformed to the Divine will†¦.a will must be referred to the common good as an end, and formally will the Divine and universal good in addition to a particular good"... ...peare's Plays. New York: Haskell House Publishers, 1964. Clark, Cumberland. Shakespeare and the Supernatural. New York: Haskell House Publishing, 1972. Encarta Online , Jan. 2001. Encarta> 16 March 2001. Greenblatt, Stephen. gen. ed. The Norton Shakespeare. New York: Norton Company, 1997. Knight, G. Wilson. Shakespeare and Religion: Essays of Forty Years. New York: Simon and Schuster Publishing, 1968. Knox , Bernard . The Tempest. New York: Penguin Group, 1987. "Magic". The Encyclopedia Britannica. 1971. ed. Morris, Ivor. Shakespeare's God. London: Rustin House, 1972. Smith, Hallet. Twentieth Century Interpretations of The Tempest. New Jersey: Prentice Hall, 1969. The New Oxford Annotated Bible. Bruce M. Metzger and Roland E. Murphy, ed. New York: Oxford University Press, 1994.

Marketing Strategies for Low-Income Customers Essay

Good old fashioned rock ‘n’ roll could be dead. If a mobile phone ringtone in the shape of the vocalizations of the animated Crazy Frog dominates the billboard charts for months on end, then it could well signal the death knell for the industry, and how it operates. If this ubiquitous amphibian’s aurally annoying song, converted from a mobile phone ringtone, outsold even mainstay acts such as Oasis and Coldplay, why should music companies invest millions in cultivating fresh musical talent, hoping for them to be the next big thing, when their efforts can be beaten by basic synthesizer music? The industry is facing a number of challenges that it has to address, such as strong competition, piracy, changing delivery formats, increasing cost pressures, demanding pri-madonnas and changing customer needs. Gone are the days when music moguls were reliant on sales from albums alone, now the industry trawls for revenue from a variety of sources, such as ringtones, merchandising, concerts, and music DVDs, leveraging extensive back catalogues, and music rights from advertising, movies and TV programming. The music industry is in a state of flux at the moment. The cornerstone of the industry—the singles chart—has been facing terminal decline since the mid-1990s. Some retailers are now not even stocking singles due to this marked freefall. Some industry commentators blame the Internet as the sole cause, while others point to value differences between the price of an album and the price of a single as too much. Likewise, some commentators criticize the heavy pre-release promotion of new songs, the targeting of ever-younger markets by pop acts, and the explosion of digital television music channels as root causes of the single’s demise. The day when the typical record buyer browses through rows of shelves for a much sought-after band or song on a Saturday afternoon may be thing of the past. Long-term success stories for the music industry are increasingly difficult to develop. The old tradition of A&R (which stands for ‘Artists & Repertoire’) was to sign, nurture and develop musical talent over a period of years. The industry relied on continually feeding the system with fresh talent that could prove to be the next big thing and capture the public imagination. Now corporate short-term thinking has enveloped business strategies. If an act fails to be an immediate hit, the record label drops them. The industry is now characterized by an endless succession of one-hit wonders and videogenic artist churning out classic cover songs, before vanishing off the celebrity radar. Four large music labels now dominate the industry (see Table 1), and have emerged through years of consolidation. The ‘big four’ labels have the marketing clout and resources to invest heavily in their acts, providing them with expensive videos, publicity tours and PR coverage. This clout allows their acts to get vital airplay and video rotation on dedicated TV music channels. Major record labels have been accused of offering cash inducements of gifts to radio stations and DJs in an effort to get their songs on playlists. This activity is known in the industry as ‘radio payola’. Consumer have flocked to the Internet, to download, to stream, to ‘rip and burn’ copyrighted music material. The digital music revolution has changed the way people listen, use and obtain their favourite music. The very business model that has worked for decades, buying a single or album from a high-street store, may not survive. Music executives are left questioning whether the Internet will kill the music business model has been fundamentally altered. According to the British Phonographic Industry (BPI), it estimated that 8 million people in the UK are downloading music from the Internet—92 per cent of them doing so illegally. In 2005 alone, sales of CD singles fell by a colossal 23 per cent. To put the change into context, the sales of digital singles increased by 746.6 per cent in 2005. Consumers are buying their music through different channels and also listening to their favourate songs through digital media rather than through standard CD, cassette or vinyl. The emergence of MP3 players, particularly the immensely popular Apple iPod, has transformed the music landscape even further. Consumers are now downloading songs electronically from the Internet, and storing them on these digital devices or burning them onto rewritable CDs. Glossary of online music jargon Streaming: Allows the user to listen to or watch a file as it is being simultaneously downloaded. Radio channels utilize this technology to transmit their programming on the Internet. ‘Rip n burn’: Means downloading a song or audio file from the Internet and then burning them onto rewritable CDs or DVD. MP3 format: MP3 is a popular digital music file format. The sound quality is similar to that of a CD. The format reduces the size of a song to one-tenth of its original size allowing for it to be transmitted quickly over computer networks. Apple iPod: The ‘digital jukebox’ that has transformed the fortunes of the pioneer PC maker. By the end of 2004 Apple is expected to have sold 5 million units of this ultra-hip gadget. It was the ‘must-have item’ for 2003. The standard 20 GB iPod player can hold around 5000 songs. Other hardware companies, such as Dell & Creative Labs, have launched competing devices. These competing brands can retail for less than  £75. Peer-to-peer networks (P2P): These networks allow users to share their music libraries with other net users. There is no central server, rather individual computers on the Internet communicating with one another. A P2P program allows users to search for material, such as music files, on other computers. The program lets users find their desired music files through the use of a central computer server. The system works lime this; a user sends in a request for a song; the system checks where on the Internet that song is located; that song is downloaded directly onto the computer of the user who made the request. The P2P server never actually holds the physical music files—it just facilitates the process. The Internet offers a number of benefits to music shoppers, such as instant delivery, access to huge music catalogues and provision of other rich multi-media material like concerts or videos, access to samples of tracks, cheaper pricing (buying songs for 99p rather than an expensive single) and, above all, convenience. On the positive side, labels now have access to a wider global audience, possibilities of new revenue streams and leveraging their vast back catalogues. It has diminished the bargaining power of large retailers, it is a cheaper distribution medium than traditional forms and labels can now create value-laden multimedia material for consumers. However, the biggest problem is that of piracy and copyright theft. Millions of songs are being downloaded from the Internet illegally with no payment to the copyright holder. The Internet allows surfers to download songs using a format called ‘MP3’, which doesn’t have inbuilt copyright protection, thus allowing the user to copy and share with other surfers with ease. Peer to peer (P2P) networks such as Kazaa and Grokster have emerged and pose an even deadlier threat to the music industry—they are enemies that are even harder to track and contain. Consumers can easily source and download illegal copyrighted material with considerable ease using P2P networks (see accompanying box). A large number of legal download sites have now been launched, where surfers can either stream their favourite music or download it for future use in their digital libraries. This has been due to the rapid success of small digital medial players such the Apple iPod. The legal downloading of songs has grown exponentially. A la carte download services and subscription-based services are the two main business models. Independent research reveals that the Apple’s iTunes service has over 70 per cent of the market. Highlighting this growing phenomenon of the Internet as an official channel of distribution, new music charts are now being created, such as the ‘Official Download Chart’. Industry sources suggest that out of a typical 99p download, the music label get 65p, while credit card companies get 4p, leaving the online music store with 30p per song download. These services may fundamentally eradicate the concept of an album, with customers selecting only a handful of their favourite songs rather than entire standard 12 tracks. These prices are having knock-on consequences for the pricing of physical formats. Consumers are now looking for a more value-laden music product rather than simply 12 songs with an album cover. Now they are expecting behind the scenes access to their favourite group, live concert footage and other content-rich material. Big Noise Music is an example of one of the legitimate downloading sites running the OD2 system. The site is different in that for every  £1 download, 10p of the revenue goes to the charity Oxfam. The music industry is ferociously fighting back by issuing lawsuits for breach of copyright to people who are illegally downloading songs from the Internet using P2P software. The recording industry has started to sue thousands of people who illegally share music using P2P. They are issuing warnings to net surfers who are P2P software that their activities are being watched and monitored. Instant Internet messages are being sent to those who are suspected of offering songs illegally. In addition, they have been awarded court orders so that Internet providers must identify people who are heavily involved in such activity. The music industry is also involved heavily in issue advertising campaigns, by promoting anti-piracy websites such as www.pro-music.org to educate people on the industry and the impact of piracy on artists. These types of public awareness campaigns are designed to illustrate the implications of illegal downloading. Small independent music labels view P2P networks differently, seeing them as vital in achieving publicity and distribution for their acts. These firms simply do not have the promotional resources or distribution clout of the ‘big four’ record labels. They see P2P networks as an excellent viral marketing tool, creating buzz about a song or artist that will ultimately lead to wider mainstream and commercial appeal. The Internet is used to create communities of fans who are interested in their music, providing them access to free videos and other material. It allows independent acts the opportunity to distribute their music to a wider audience, building up their fan base through word of mouth. Savvy unsigned bands have sophisticated websites showcasing their work, and offering free downloads as well as opportunities for audio-philes to purchase their tunes. Alternatively major labels still see that to gain success one has to get a video on rotation on MTV and that this in turn encourages greater airplay on radio stations, ultimately leading to increased purchases.

Should Capital Punishment Be Banned Essay - 1788 Words

The United States of America is currently the only known country on the North American continent that practices capital punishment. Americans pride themselves on living in the country that they believe does nothing wrong in terms of punishing those who commit heinous crimes. Unfortunately, that innocent image of America happens not to be true. Over 160 members of the United Nations (U.N.) have already banned capital punishment including the entirety of the European Union (E.U.). Even the Universal Declaration of Human Rights claims that capital punishment is wrong; therefore, punishment via death is a violation of one of the basic human rights. So, what does America have to do in order to prove its freedom? Many people don’t really know much about the death penalty, other than what the name implies: Death. Capital punishment should be banned in the US because it does not dissuade people from committing crime, it is more expensive than life imprisonment, the execution methods c an cause painful deaths, and it is morally incorrect. A 2009 survey of America’s top criminologists revealed that over 88% of them believed the death penalty was not a deterrent for murder. According to FBI statistics, from 1990 to 2014, states without the death penalty have had lower murder rates than states with the death penalty. Many people argue that capital punishment is the ultimate warning against any crime, even though this is not what the numbers say. Murder rates were at an all-time highShow MoreRelatedshould capital punishment be banned?975 Words   |  4 PagesCapital punishment is the death penalty given by the government of a country, to people who have committed hideous crimes like homicide, rape and so on. Death penalty has been a way of punishing people since ages. Although there are some countries that have abolished death penalty from their law, there are still many which still practise the act of killing a person for crime. Death penalty is prevalent in the US, Asian and Middle Eastern countries. Some of the ways of executing criminals are hangingRead MoreCapital Punishment Should Be Banned1515 Words   |  7 Pages Capital punishment has been a part of the nation’s history as it dates back to the British North American colonies. Capital punishment was also used as a way to remove those prosecuted for being â€Å"witches† during the famous Salem Witch Trials. These days the use of the death penalty has b ecome an anachronism. In recent times has capital punishment become a place for argument to those supporting and those opposing the death penalty. Capital punishment should be federally banned for its inconsistenciesRead MoreCapital Punishment Should Not Be Banned1581 Words   |  7 Pages Capital punishment needs to be banned in California because it is morally wrong, it violates the constitution and it can cost the lives of innocent people. The death penalty is a legal punishment of execution when a capital crime has been committed. In the United States, there are 41 capital offenses that are legally punishable by death. The death penalty dates back to various centuries ago and it is still used in today’s world. Each year, thousands of people are put on death row for an averageRead MoreShould Capital Punishment Be Banned?908 Words   |  4 PagesRecently, in Oklahoma, 43 year old Clayton Lockett underwent a botched process for Capitol punishment. Although, according to th e associated press, Governor Mary Fallin agrees that execution is the appropriate punishment for the most horrendous crimes, executions have been stopped until new protocol and procedure has been implemented. This unfortunate incident has brought back to light the issues behind the death penalty. Problems with current methods have become apparent and secondary methods doRead MoreCapital Punishment Should Not Be Banned2007 Words   |  9 Pages â€Å"An eye for an eye leaves the whole world blind; or does it?† Capital punishment, or the death penalty as is more commonly known, should not be, but, is a contemporary problem in the United States. Most of the entire world today has abolished the death penalty. However, there are still many states within the U.S. that still exercise this form of punishment. The most preferred method of execution which is exercised by more than 35 states in the U.S. Is lethal injection. Many countries today likeRead MoreCapital Punishment Should Not Be Banned1773 Words   |  8 Pagesdecades capital punishment has been a controversial debate on whether it should be used for convicted felons or not. Some believe it is the right way to finally have justice and end crime while, others believe it is inhumane and considered murder. Capital punishment, or the death penalty, is the process of ending one’s life through different execution methods. Capital punishment is a cruel and unusua l way of ending someone’s life when they could be in prison for life. Capital punishment is expensiveRead MoreCapital punishments should not be banned; people believe capital punishment is unconstitutional,900 Words   |  4 PagesCapital punishments should not be banned; people believe capital punishment is unconstitutional, that the person on death row actually committed a crime that put them there. There are complaints about the money put out for capital punishment and some think that the death penalty sends the wrong message or that our government is broken. Even though people believe capital punishment should be banned, it should not be banned due to multiple reasons. In the United States, capital punishment (also knownRead MoreImagine Having A Criminal, Who Has Escaped From Multiple1663 Words   |  7 Pagespowerful and has lots of money. What should happen to this extremely dangerous criminal when he is caught again? This is where capital punishment would come into play. Some people say the capital punishment should not be banned in any U. S. state and many people say capital punishment should be federally banned. However, both sides would agree they want a safe society and that crime should have a punishment. A common misconception about capital punishment is that people think it is murder; thisRead MoreBanning Capital Punishment in the United States Essay1187 Words   |  5 PagesBanning the use of capital punishment in the United States Capital punishment (the death penalty) is a legal procedure which is known as the most severe punishment where the law authorizes execution as a punishment for criminals (Gerald, 2008). Many people claim that allowing such a punishment will help decrease the crime rate, and also give closure to the victim’s family, but if you as American citizens analyze this situation in more detail you can see that taking a life for taking a life is moreRead MoreBenefits Of The Death Penalty Essay1295 Words   |  6 PagesOne of the most debated issues, whether capital punishment, also known as the death penalty, should be banned or still be used, is still a widely disputed issue at the heart of political debate. Many states recently have been abolishing capital punishment. Yet, as of October 2014, support for capital punishment is still strong as three fifths of Americans continue to back capital punishment. It is important that capital punishment is included as a punishment for all viole nt criminals for it can be